Bringing Portraiture in Korea to a New Level of Excellence
In theMay 2007 issue of The Backgrounder, we introduced you to one of Korea's finest professional portrait photographers, Lee Sang Jun. In this issue, we would like to display the excellent work of Seung Hyu Baek,
also from Korea. Both Mr. Lee and Mr. Baek have been using their
Virtual Backgrounds systems for only a few months. They both received
training at the January 2007 Virtual Backgrounds workshop in San
Marcos, Texas, and they are both producing some of the best work that
Virtual Backgrounds has seen.
In May, we told you
about how before Virtual Backgrounds, photographers in Korea had to
construct elegant new studio scenes once every few months costing them
tens of thousands of dollars each time. Now, a simple transparent
background slide and a few props are not only saving Korean
photographers money, but they are also giving the photographers more
variety!
Read below as Mr. Baek shares his experiences both before and since he
has purchased his new Scene Machine Virtual Backgrounds system.
In His Own Words
I
have been excited about Virtual Backgrounds for a very long time.
I also remembered that there was once a bad impression on such systems
in the Korean market. This was many years ago. I chose the
Virtual Backgrounds System to try to make highly creative works with
it. I anticipated that Virtual Backgrounds would get me a
solution to the time constraints that I always faced in my studio
business.
I gained more confidence and trust on
Virtual Backgrounds after I had a chance to attend a workshop in San
Marcos, Texas in January.
“God
helps those who help themselves.” Chances come to everyone.
Only the people who have been preparing themselves can catch
them. I have been studying photography for many years and have
sharpened my techniques as well as my intuitions. When I met this
new system, I knew this is the tool with which I could use for what I
have been preparing.
The Virtual Backgrounds
system can create three-dimensional looking images whereas existing
conventional backgrounds are more flat and uninteresting. I
learned I could make my own transparency backgrounds and I began to
work on proper lighting. I feel like a dream has come true when I
set up with a model and shoot with Virtual Backgrounds.
Photographers
are those who create something from nothing, and Virtual Backgrounds is
a tool to make the whole process more enthusiastic. I feel like
this system really fits me as I am the kind of person who does not like
something normal. I like the unique.
Sometime,
this system came to me as a burden because it takes more time at the
beginning to learn, but I believe “no pain, no gain.” I know that
my works with this system will surely make me happier than before.
Every single image that has been made could be great materials for the
classes I am teaching.
In
the near future, I plan to open an exhibition with these Virtual
Backgrounds works. I am teaching, “Photo-therapy for middle-aged
women.” It will be more effectively done with my Virtual
Backgrounds System. Virtual Backgrounds will provide new
concepts for portraits to other Korean photographers. I am
creating more of my own backgrounds reflecting the Korean culture.
I have met many middle aged women and other students studying in my
classes and all of them say the work of mine using Virtual Backgrounds
are the most unique and creative. I believe more photographers
must look for Virtual Backgrounds as people will get more interested in
the creative works rather than all boring, monotone works.
Click here to see more of Mr. Baek's photographs taken with the Scene Machine Virtual Backgrounds Image Enhancement System.
Click here to see more of Mr. Baek's photographs taken with the Scene Machine Virtual Backgrounds Image Enhancement System.